At present I find myself wondering why I jumped at the chance to pay extra for early access to two more Miyamoto Mushashi’s than I have ever been tempted to take in a list.
He looks cool in his alternate outfit, which I guess is part of the reason. Aside from looking cool, he’s also the most skilled melee fighter in all of Infinity, which might also have helped. He hits hard and often, and with a 6-4 move he can run like a gazelle, which may assist him in putting his talents to use.
He has a decent dodge and a good flash pulse to help and keep him alive long enough to reach base contact, although he is likely to need assistance from long ranged weapons or smoke (other troopers) to navigate enemy AROs. All of this is theory though. I’ve never actually used him. My experience with Miyamoto boils down to a casual glance at his stats and reading all the volumes of Vagabond that were available in 2014. Hopefully I have more to talk about by the time I paint his other costume.
That just leaves painting to talk about. I primed him with Army Painter Uniform Grey, as has been customary for my JSA troops. Aside from his skin, there are 4 major colour fields on the model. Light blue on his upper body, dark turquoise on his hat, shoulders, skirt and trousers, metal parts and leather for his webbing.
I deliberately tried to use the same blue on his upper body as I did on Yojimbo to so there would be some cohesion, whilst still being a unique looking figure. The dark turquoise is Vallejo Heavy Blackgreen mixed with GW Regal Blue and Abbadon Black. The metal parts were done the same was as on the Domaru Butai. The leather started with GW Scorched brown, and was stippled with Vallejo Cam Beige. By stippling, I mean I took an old brush, loaded some paint on the tip of the bristles, wiped most of it off until what was left was almost powdery, and then gently and repeatedly poked at the surface of the model with the tip of the brush. I don’t know if that is actually called stippling. The scabbard was done the same way but with much less “stippling”. I don’t want to talk about how the “tsunami” design on the back of his skirt turned out. Other than that I am very happy with him and he wasn’t that much of a bitch to paint, certainly not worse than any Tohaa model I’ve painted.
All that’s left is to actually use him now.